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What is Integral, What is Not: Exploring Jean Gebser, Lesson 7
Sometimes I wish we could all just declare a temporary moratorium on the term “Integral!!!” What Gebser intended when he chose that name for his emerging fifth structure of consciousness is challenging enough to wrap one’s mind around in the first place.
The Mythic and Magic Structures: Exploring Jean Gebser, Lesson 6
I know that a number of you, in growing awareness of the of the blind spots and shadow elements in the mental structure of consciousness, have been casting a fond glance toward indigenous cultures, which seem to offer counterbalancing strengths in precisely the areas where the mental structure is weakest: a deeper connection to the natural world, a more organic sense of belonging, and a greater awareness of the evocative power of ritual and the numinous.
The Deficient Mental Structure: Exploring Jean Gebser, Lesson 5
Structures of consciousness have their own life cycles. When a new structure bursts definitively onto the stage of history, it is typically at its most vital and creative, filled with powerful constellating energy and psychic force. It will quickly establish itself as the new culturally dominant structure.
The Perspectival Mainspring: Exploring Jean Gebser, Lesson 4
All structures of consciousness have at their center of gravity, a core value or “moral mainspring” around which all else is ordered. Often unstated and even unrecognized, it nonetheless establishes the yardstick by which value is measured and priorities are assigned within that structure.
The View from the Periscope: Exploring Jean Gebser, Lesson 3
Gebser’s brilliant unpacking of the structures of consciousness in terms of PERSPECTIVE (as it is understood in the art world rather than in philosophy) gives us a powerful new visual tool with which to begin to see where we’re pinned. In art, perspective is a technique for creating the illusion of depth and space on a two-dimensional plane. It works by establishing an arbitrary “vanishing point” on the horizon, then arranging all the elements on the canvas on a hypothetical line leading back to it.
Unperspectival, Perspectival, Aperspectival: Exploring Jean Gebser, Lesson 2
Jean Gebser’s cultural home base was the world of art. He was a personal friend of Pablo Picasso’s, and examples culled from art history dot the landscape of his The Ever-Present Origin, illustrating almost every significant point he makes.
Stages Versus Structures: Exploring Jean Gebser, Lesson 1
f you’ve cut your teeth on the Ken Wilber roadmaps, the Gebser terrain will at first look reassuringly familiar. The familiar levels of consciousness are all right there, even designated by their familiar names: the archaic, magic, mythic, mental, and integral. Nor is this surprising, since Wilber explicitly acknowledges Gebser as the primary source of his model.
An Invitation to Begin the Healing Work: Exploring Jean Gebser, Introduction
Well, the oasis of grace miraculously opened, and now it’s time to roll up our collective sleeves and get on with the healing work! I know that my own first assignment has something to do with helping to expose—and hopefully defuse—some of the reactivity and sanctimoniousness that boils just below the surface in my immediate peer group, the spiritual liberal intelligentsia.